a hidden recordings mainstay, jc laurent’s once again combines his admiration and respect for detroit’s gritty past with a modern touch that makes his techno / house sound all his own. previously on the label, he released “from nice to berlin” with a remix from the legendary fred p. aka black jazz consortium as well as “southside” with a remix from uk’s tom dicicco (the corner, run out run). handling important remix duties is michigan native myles sergé. first introduced to techno in the late 80’s and described as a ‘reclusive perfectionist’, his haunting productions reflect influences from early detroit / chicago electronic music.

out for a moment supra comes back in full swing! for its return the parisian imprint presents a collab between super talented french producer onelight and one of the label’s dearest and biggest influence, the legendary egyptian lover. after tuggspeedman, a first release supported by busy p, gilb’r and machinedrum, onelight continues here his musical path with this silver ep. silver is a sophisticated blend of electro funk, break beat and techno. the song is inspired by his obsession for silver rings and more precisely for their sound, spiritual and magnetic energy. who else than the californian legend egyptian lover can provide here some hypnotic vocals? indeed the 808’s king takes his inspiration from all the symbolic of rings and gems and brings to the song his very unique and charismatic touch. maxillaire is going slower but is definitely powerful. it sounds like a 97 bpm techno music made for a space travel soundtrack with a codeine cup. label boss luc supra and orestt (evrlst / mb labworks) team up as supra allstars and deliver the silver deep re rub that appears to be the perfect bridge between detroit and l.a. definitely one for the clubs !

keith & tex are jamaican rocksteady icons, with classics for life, such as ‘tonight’, ‘this is my song’, ‘run to the rocks’, ‘goodbye baby’ and, of course, the song ‘stop that train’, worldwide famous tune that was featured in jimmy cliff’s ‘the harder they come’ original film sound track.
the vinyl lp includes a cd-copy of the album.

mark rae is the man behind one of the key uk music movements of the last 25 years. as a founder of the shop fat city records and the label grand central, mark worked with some of the worlds biggest artists going on to earn several platinumm discs with his work as one half of the highly respected production duo rae & christian. this project is a worlds first autobiography and album, the release is packaged as a gatefold 10 inch which opens out to the book held within. the 40 000 word book covers the author mark rae s journey through the music industry. it follows the creation and dissolution of fat city and grand central records, rae & christian and yesking. the underground club scenes of manchester, gang wars, success, failure, working with bobby womack, jay z and the pharcyde. the project has been supported by whosampled, dj magazine, vice and the tate modern. the artwork is exceptional featuring an historical montage throughout the inner gatefold sleeve. the music features guest vocals from tony d who was a big influence in the original grand central records sound, soul king pete simpson, multi instrumentalist shawn lee and kate rogers.

love notes (from brooklyn) serves up another winner, this time with the sonic stylings of the illustious (and also brooklyn based) octo octa, whose not unimpressive discography already includes releases on such heavyweight labels such as running back, argot, and deepblak. from the opening, echoed chords and unique percussive qualities of eyes low, through the spaced out funk of touch formation, to the early morning vibes of i feel, this ep delivers on all levels. this is the 9th release on this fine american imprint and they show no signs of slowing down their sonic agenda.

amazing longplayer by 3kz. dreamy, romantic, and pure. >parallel reflections< is the debut album from 3kz, the collaborative project between z.i.p.p.o and kaelan. this retro futuristic composition will elevate your mind, move your body, and touch your soul. 180g.

lehultsub is dedicated to dj-friendly flips, chops and spins, brought to you on a limited edition of hand-stamped white labels. the a-side introduces tony rainwater, who shows us his straight up approach to editing: find an obscure sample, speed it up, make it hit. the second track on this side, lets celebrate less hats loops the dance floor in a frenzy. tony will return for a full 12inch on lehult early 2017. the b-side, my love 4 u will neva die by lucky charms has been played by all of the lehult crew for a year already and has been requested over and over ever since. its rugged, curveball approach catches the crowd by surprise and makes for some unique dance floor moments.

stripped down to the bone, nothing else in this room but you and the analog sounds of smooth guitar and funky boogie bass lines. mesmerizing with a touch of class, this ep highlights uplifting choral stabs and ever changing rhythmic moments. the louder you turn these songs up the more you gain subtle changes in the driving force known as the pagoda.

an incredible, funked-out live show and production team with their own modern take on boogie, philly soul, and ny disco. xlr8r the possé are a new face to many people. the five piece run by andrew elston and ross ferraro is comprised of veterans from all over australia’s music scene. after a year of knuckling down in the studio and a string of sold out shows they’ve boiled down their favourite influences into an in-credible, raw, funked out live show and production team. watch out for the posse’s debut ep, our thing, featuring contributions from andrew elston (phy-sique/toni toni lee/catcall), ross ferraro & jarrol renaud (the goods), michael di francesco (touch sensitive/van she) and nz jazz keys prodigy andrew bruce.

with its debut release, sure cuts limited, french house music label, offers a selection of 4 underground tracks, -d-track- quality chicago house with a touch of acid by lotche, -dona fonda- groovy disco track & pumpin vocal by julien guzz, -lost in okabore kingdom- raw material with disco loop, cut for the club by keedo and -smooth à souhait- deep, jazzy & raw at the same time, the subtle blend by hatelate.

the forthcoming release on spanish house imprint saft is a deep and grooving true house vinyl which will definitely provide you with some inner glow. the man behind this piece of fine wax is called washerman. this 3-track release is designed for clubs and outdoor jams where people dont necessarily need a scorching energy span to enjoy the music. with beautiful rhode sounds and touching vocal cuts this record should be in anyones record collection. raw but beautiful!

trudge embarks on the second expedition into the exotic lands of palm trees and blue skies with his ambient and dreamy ‘when the rain’ ep on lost palms. expedition two features four jams packed full of breakdowns, breathtaking soundscapes and lo-fi esque drum sequences.

the latest installment of roam recordings comes from the japanese disco scene via the production duo of internationally acclaimed dj que sakamoto and seasoned studio engineer nt. the title track lalo is an original production with a stylish edit of an obscure vocal. this slow paced groove has a lot to offer with its bells chiming, synths drifting, and peppered in vocal that brings it all together.

a special collection on a limited 2x12 inch vinyl edition including brand new versions of some of the classics of the label in the first ten years.
the package features remixes from some of our favourite artists. the don of chicago deep house ron trent gives his timeless classic touch to without me by tevo howard feat. tracey thorn.

caravan’s coarsica ep is a gorgeous six-tracker of wandering drum machines and shiny synths, washed with the burnt umbers and viridescent hues of the australian outback. computer-funk with a green thumb. as the track-listing suggests, coarsica is a tribute to subtle and compelling beauty of australia’s native flora, as if costa georgiadis and dâm-funk got away from the big smoke for a weekend and spent the whole time by the river cooking this bad boy up. like the rugged and stoic banksia, or the regal flindersia, each track on the coarsica ep provides a dappled shade under which the weary dancer can rest in these hot summer months.
support from: tako (music from memory/redlight records), touch sensitive, ben fester

ten years ago, we are your friends reached our ears and pushed justice to the front of the scene, a young french duo signed by pedro winter on the label he had just created: ed banger records. the record that followed, +, was an album of condensed jerky electro, of disco reminiscences and heavy metal energy, with unstoppable tunes like ‘.a.n.c.e, stress and phantom, and its videos, allowed justice to follow the 90s french touch and its filtered disco loop. since the release of their debut album in 2007, justice has been tirelessly touring the world by bus, road festival to festival and concerts all over throughout the planet. since their first tour, the band developed a powerful stage design that they polished and magnified throughout the years and the gigs. the wall of vintage marshall amps front of the stage, an imposing cross, impressive light shows, and the sound of justice totally revisited for the live shows.

politics of dancing records celebrate their 3rd anniversary with two vinyl only releases and a digital compilation of unreleased tracks from a pretty impressive line up of confirmed and up and coming producers. the first part to be released sets the pace with four deep house cuts from janeret, d julz, djebali and politics of dancing. janeret s first light is a deep, bass heavy number, with spacy stabs, cut for serious peak time action. d julz offers us a deep tech house killer with sharp stabs and a dubby bass, a timeless one for dancefloors. djebali delivers a fat bumpy deep house tune with his very distinctive stylish and groovy touch, and label bosses politics of dancing drops a deep tracky house piece, with swinging dirty underground vocals and a heavy rolling bassline. this is paris house music firing!

this rare piece of ex-yu socialist electronica was considered lost. composed by famed croatian artist tomislav simovic for the 1981 sci-fi extravaganza visitors from the galaxy which included men with breasts, beautiful alien heroine and jan svankmajer monster on killing spree, it is now found and published by fox & his friends label team. this gatefold limited lp release on 180g vinyl includes soundtrack cut from the original master tapes restored by paul alexander from cedar audio ltd., extensive liner notes in english by zeljko luketic and irena paulus, new artwork insert spread with film set photographs and colour poster starring alien heroine andra. fox & his friends is run by leri ahel (worldwide syndicated mutant disco radio show) and zeljko luketic (electronic jugoton, ex yu electronica iii, borderline music). we release music without genre boundaries, discover rare, obscure and forgotten stuff, the sounds that have timeless value, both contemporary and vintage

as we roll into a brand new year bass culture keeps the pressure high with a funk-filled new three-track ep from one of germany’s finest, sebo k. the berliner has been entrenched in his city’s vibrant scene since the nineties, when he was playing breakbeat and jungle. in fact, there’s a nod towards his early days on the ‘brock wild’ ep, along with some sultry funk. head of his own label, scenario, and curator of parties under the same name, sebo k has also produced music for a long list of some of the world’s most influential underground labels and now he steps up to bass culture with this sleek collection. the title track is a steady roller with hefty bass rumbling deep below sturdy beats. the groove is funky and low slung, swirling pads mesmerise you as soulful female vocals raise your vibration. the track is punctuated by an iconic sample of uk reggae star top cat, which was used in several early jungle tracks in the mid-nineties and now again on sebo’s killer track.flip the record over for side b, which kicks off with ‘aftershock’, another sweet groove with jazzy hues, more punchy percussion and a warm, simmering undercurrent. as the track evolves, techy notes are added to its potent mix and we get a wonderful mix of traditional sounds and more futuristic effects. last but not least is ‘foliage patterns’, a sensual cut straight out of the us school of deep house. this is one that will be spun by all the deep house masters no doubt, with all the elements you need to inject some bounce into the dance floor yet still touch its soul. as we said, sebo k is one of germany’s finest, a versatile producer and dj who demonstrates exactly why he remains one of the nation’s most consistent and respected artists. make sure you add the ‘brock wild’ ep to your collection, it’s a must!

london/lisbon label release/sustain start the year as they mean to go on. presenting a 4 track various artists 12’’ titled _nightfall and other stories_. the record is comprised of 4 artists the label regard as legends of that deeper dance floor sound. opening proceedings on a1 is *dekmantel* mainstay *vakula*. a regular at the release/sustain ‘conclave’ parties and part of the rs family his offering, _809,_ is a percussive drum tool trip of a track, with sporadic raw percussion shooting shining across a positively minimalist backing. for a2, we see italian stalwart of underground dance music, *l.i.e.s* & *crème organization* regular, *simoncino*. obscure sample work, and a repeating line ‘i can use a friend’, twist and turn over rugged, thumping, functional drums and bass. simoncino at his best! furthering the quality of this standout 12’’ is chicago house music pioneer, and *dance mania* alumini *vincent floyd*. rich in melody and familiar classic house sounds, reggie’s soft jacking house sound bring a silky smooth, north american touch to a previously rugged, european 12 slab of wax. rounding things off we have *clone*, *prime numbers* & *deep explorer* badman, *reggie dokes*. a cut riddled with percussive and quirky undertones enjoy!

esteemed composer piero umiliani released scores of music in his lifetime from the famous to the obscure, but his forays into jazz continue to be a delight for diggers the world over. here galaxy present storia e prehistoria, recorded under his alias rovi and originally released in 1972. its a stirring collection of music that touches on soundtrack themes throughout, capturing the sound of the era impeccably while sporting umilianis inimitable touch in the same breath. the album is full of sumptuous orchestrations of brass, keys, harp and more besides, each piece loaded with romance and cool as could only come from italy.

label heads zem suyung and sami join forces to present their debut ep as samisuyung. gorgeous melodies are underpinned by heavy duty basslines throughout, making this a record that tenderly balances sweet and sinister. hallucinatory sound design provides the backbone, stomping club rhythms give it legs.

after an amazing 2016 year remixing legend mobys porcelain for drumcode, releasing on labels like soma, drumcode (with his phoenix as well), kaputt ltd, planet rhythm, tip top, label owner luca agnelli is back on his own etruria beat. this new release contains 2 original cuts and 2 remixes by amazing artists abstract division and yotam avni. original tracks metamorphosis and chaos are very powerful techno tunes, filled with hypnotic looped chords, melodic synth stabs on solid beats and drops. dynamic reflections owner abstract division revisited metamorphosis in a very mental trippy way, adding a dutch raw and dark touch to the title. after a few releases on innervisions, stroboscopic artefact, yotam avni transformed metamorphosis into a pumping groovy track that can destroy any dancefloor. play it loud!

modern radical changes have to be found inside the man-­&#8208,machine relationship and the chief kill ref debuts on his own label with a set of live recorded originals, and two studio remixes: human touch drives simplehardware automations: metal, fast rhythmic, blind acid synthesizers starring the title track &#147,night speaker&#148,, the distorted drummachines builton hars trippy synths paint original &#147,sigh notch&#148, and the original &#147,lowering sight&#148,. developer gives an hypno bigroom remix to the unreleased track &#147,cloudlike&#148, and charlton re-­&#8208,invents &#147,sight notch&#148, offsetting its rhythms and delays.

minimood welcomes copenhagen based master duo merv for two tantalising new tracks, and thus continues the reductionist dub techno stance the label has been advocating lately. after 2 decades of silence, this new ep marks merv s first new material and suggests that they have lost none of their magic touch. blank i is nine minutes of expert and exquisite dub techno. the kicks ping with an infectious thump, the dub chords are fantastically crisp and well crafted as they float in space and swallow up the drums. widescreen and edgeless, warm dubby techno. blank ii is a equally stripped-back and elegant dub techno affair as blank i, yet with a more upright and direct twist. slapping hits and lively chords are riding above the rolling, loopy drums. a ride that will guide through the deepest nights. vinyl only!

for this second release, the hedzup crew invite the hot and prolific producer carlos sanchez in collab with wlad and damien badey for an hypnotic groove named strong. two solid remixes on this release - politics of dancing pushed the track to a higher level of efficiency and john jastszebski applied his raw techno touch. as an extra tool, the 2 heads thinking from hedzup, wlad and mancini for their first collab created an aerian and groovy track -12th-.

the third release on ascorbites own corseque records is not for the faint-hearted. advance the flight and inadequate demeanor are clearly twins, delivered from the darkest corners of ascorbite’s mind. the bold, pounding quality of the ep brings adam x or grovskopa to mind but ascorbite has a dystopian touch that’s entirely his own. advance the flight is like a battle track for an intergalactic armada being attacked by an infinite horde of swarming space ants. inadequate demeanor, on the other hand, is a grim steampunk fantasy of a black, shining locomotive plainly out of control, raging on red hot rails towards the end of the line. however, while both tracks are rough and unforgiving, ascorbite manages to invigorate them by the use of subtle melancholic atmospheres – like rainy skies over a concrete desert. a balance between brutalism and vitality. a trademark of ascorbite and corseque records.

nice price deal !!! nice price deal !!! nice price deal !!! the city of bologna (bolo for locals) has been always a crucial junction for the underground music scene in italy. over the last few years a small group of bad boys has started to fill the streets with a distinctive and modern interpretion of house music. we are here to represent that sound. we are bolo represent

forging an idiosyncratic musical language, told through exotic rhythms and adventurous wordless vocal explorations, deal is fays boldest work yet, moving further away from the pop signifiers of previous exploits. with an articulate minimalism, deal flexes and shapes these elements to their maximum potential through vast spacial movements that evolve down unexpected paths. compositional directions diverge through variations on a theme. the album s complex choral arrangements and daring structural ideas demonstrate a deft understanding of music foundation while departing into abstract possibilities outside of these standards. a conversational interplay between drum and voice is at the center, highlighting the human element. a loose, primal urgency guides these compelling and playful electronic compositions that favor intuitive sense perceptions over self-expression. the voice acts as a beacon throughout the record, leading the rhythms and arrangements towards their next move. deal is music for movement, an active listening experience that feels narrative or visual, building tension and anticipation of where the piece will lead, and what will happen next. the album uses sparseness to it s strength, with each note and drum hit sounding more potent and unexpected. here you ll find soul, exhilaration, guts, humor, freedom, play, humans animalistic nature. with a willingness to embrace the potential for new music, deal is a brave and different record that will reward listeners.

oakland-based dj/producer (100% silk / as you like it) teams up with fellow bay area fixtures cm-4 & jason kendig (honey soundsystem) for an ep of banging melodic tracks straddling the line between house & techno + a touch of acid.

klamauk is back and ready to drop their first release of 2017 with this excellent cut from moony me. the austrian artist has already turned heads with a string of quality records dropping since 2012 and this current release is up to his usual high standards channelling deep, sample driven house vibes. the ep opens with “city of storms”, a knowing nod to soulful chicago and a lovely iron curtis rework that seriously does the business. over on the flip we have “puzzle shuffle” which packs lots of energy with the main hook, and will surely be a hit on the dancefloor. for “glass jungle chant” moony me uses a lighter touch with intricate live percussion, lovely chords and a squelchy sub bass.

for its third volume jongno invites old collaborator and friend of the arts laura ingalls to the fold for more obscure korean edit madness. laura ingalls takes it down a notch with his signature endless dub delays and french touch filters, looping kim wan sun into oblivion on top of 707 daft beats, complete with guitar solo geekiness and spliced out vocals. on side b, mysterious digger and editor jongno edit takes the disco to the max on side a with a tina hwang facelift that will make you do the korean shuffle and back. loaded with bass slapness and disco synth toms this will fit right into the late night boogie and day light workout of anyone with a heartbeat.

holland-based planet rhythm usuals dubiosity and pjotr g return to the imprint with a slice of wax that contains 4 delicate and deep cuts all with a corresponding melodious touch to it. “a man is no island” opens up the 4-track effort with heavy drums colliding with devious soundscapes and a heavy sense of adventure. “die in a forest” is a more traditional techno cut that revolves around a tough acid bassline intrusive synth bleeps and firm set of drums. “poisening the well” is a beautifully orchestrated dubbed out cut that goes into the more spaced out territories of modern day techno. “tears in the rain” is an emotive piece of music that thrives because of dramatic sounding pads and off beat drum patterns.

jackie is a biographical film from chilean director pablo larraín. starring natalie portman (black swan) in the title role, the movie follows jacqueline kennedy from the days when she was first lady of the white house to the aftermath of the assassination of john f. kennedy. critically lauded since its debut at the venice film festival where it won the best screenplay award, jackie also received the platform prize at the toronto international film festival and is a heavy favorite going into awards season.
the score to jackie was composed by experimental british musician mica levi, best known for her ethereal score to 2013’s sleeper hit under the skin. mournful and eerie with a touch of the surreal, levi has delivered an unmistakable musical tapestry every bit as iconic as jackie o herself.
jackie is getting the vinyl treatment. the mastered-for-vinyl score is pressed on 180 gram black vinyl and housed in a heavy stock euro sleeve featuring black-and-white artwork of jackie. a download card containing a digital version of the album is also included.

the story of the both sides is tolled by our fellow artists in the most harmonic and carefully crafted music, complete with analog synths, melodic vibes, grumpy textures, deep sounds and groovy base lines. this long awaited masterpiece is topped of by the unique artwork captured by czech photographer and painter jan saudek, expressing some of the most intriguing & uncommon scenes from the last decade in his own unique vision for which we are most grateful and happy it fits right on with the design concept edited by m.dafinoiu, giving it the finishing touch with a transparent vinyl material.

repressing of this house classic with the magic remix touch of legendary larry levan!

oni-ki is the new studio adventure of old friends onirik & minoki, bridging genres, travelling through house, techno, electro, dub & ambient with their own touch, this is only the beginning. onirik also provides his solo rework of the title track.

ltd repress! s.a.m.’s debut album on his own delaphine consisting of 3x12” heavy weight vinyl in the finest gatefold artwork designed by max binski, mutantexture and s.a.m. himself. scandinavian sound resonating with love. mastered by stefan betke.

she lost kontrol records is an indipendet label focused on electronic body music, new wave, dark wave, neo folk, industrial, noise, avantgarde.
slk000 - la festa del metallo: melanchony and romantic synth wave mixed with a clear post-punk roots and dynamics insistent ebm loops.
on the a side 3 tracks from the-ne21. the-ne21 known as retina.it are the duo project from lino monaco & nicola buono who wants to come back to their new wave background. the duo, placed near the vesuvio, explored all the capabilities of analogic synths since the beginnings, developing an its own idea of sound.

for the past four decades, a growing cult of soul music collectors have sought two obscure lps and a handful of extremely rare 45s released on the vanity record label lad productions, inc. between the late seventies and the mid eighties by the mysterious south side chicago singer/song writer larry dixon. larry s raw songs capture the transition from r&b to boogie-down as disco was rapidly becoming extinct. they also perfectly illustrate larrys ability to overcome his environment and discrimination, transcended by his determination to write and produce music. with the support of his faithful musicians, larry s success was only hindered by lack of airplay and promotion, but his talent shines through. this is the story of larry dixon, his label lad productions, inc., and his friends and family throughout four decades of music in chicagos toughest neighborhoods. jerome derradji is proud to reactivate past due records the boogie funk division of still music to release this fantastic archive – what many consider to be the holy grail - of chicago funk, boogie and soul.

modular ball is an experienced duo from japan. sound engineer isao kumano teamed with musician kenichi takagi for their first release on rowtag records. they usually work together with alex from tokyo under the name tokyo black star. they share a same passion for analog old synths but kenichi added his touch on the project using his own modular systems.

six years ago, claremont 56 boss paul ‘mudd’ murphy tried to track down via his dj network, former freeez band-members john rocca and andy stennett to license pink rhythm’s “melodies of love”, for one of the originals compilations. they didn’t show up on the radar.
earlier this year, however, out of the blue, stennett got in touch with murphy. for much of the last two decades, he’d been living on a remote island off orkney, but was now pursuing music again.

tucked away in a now not-so-quiet corner of south east london, wholemeal have been quietly, unobtrusively getting shit done. wholemeal music’s freshman release hits the shelves this month featuring two cuts from yam records boss tom esselle and a hoofing remix from fellow south-londoner west norwood cassette library. skilfully treading the line between house, techno, and jazz, the a-side, until she spoke is a superlative exercise in light-touc h sampling and devastatingly effective rhodes work. it shuffles then stomps, hypnotises then elates, bringing together disparat e threads to create something for the head and the heart. the title track, garibaldi, maintains the light-touch sampling thread and then takes it to a whole new plane of drum-driven dancefloor detonation. twisting chord hits whirl around a savage interplay between bass and drums before dropping back to an elemental pounding, bypassing the brain and heading straight for the feet. long time wholemeal friend and serious contender for the nicest man in music award bob wncl has very kindly picked up garibaldi by the scruff of the neck, grafted an enormous pair of junglist balls onto it and kicked it screaming across t he dancefloor. this is about as peak-time as it gets. wait for the wall of bass after the second drop, its enough to stop you breathing.

auf seinem debütalbum arbeitet der britische ambient-experimentalist specimens einflüsse von alten und neuen noise-pionieren wie throbbing gristle, leyland kirby, k.leimer und ben frost ein. produziert wurde -sculptures- von lawrence english, labelbetreiber von room 40 und mastermind der drone/ambient-musikwelt.

a forthcoming masterpiece of a new artist! - with traces of burning spear and culture in his voice, spiritual s original songs share with buzz artists like chronixx, protoje and alborosie the aims and destiny of reggaes new roots re-generation. production credits are a seal of quality, as there is the main producer clifton -specialist- dillon (producer for alborosie, shabba ranks in the 90ies, world hit by omi and many more) alongside bobby -digital- dixon, who also mixed a good part of the album. the main recording took place at digital b, plus some at anchor, tuff gong and oufah recording studios, with a big credit list of finest musicians, both veteran or new generation of the jamaican scene appearing and with the final mastering touch by kevin metcalfe. additonally iba mahr and droop lion (from the new gladiators) appear as guests for fine combination tunes. -awakening- is an album which might stand alongside classic reggae 70s albums like natty dread (bob marley & the wailers), marcus garvey (burning spear), two sevens clash (culture) and the right time (mighty diamonds) and is available with a new artist introduction price level!

air cushion finishsdistinctive sound palette reconciles pop music with experimental electronics, think alan bishop meets white noise (with a touch of super collider?) air cushion finish formed in berlin in 2007 and comprises of composer jayrope and natural vocal synthesizer lippstueck, who have graced berlin’s underground scene together since the 1990 s. lippstueck sings, wordless and backwards in time while his partner jayrope tends diy, electronic, string or percussion instruments small enough to fit into a small suitcase. changing setup and subsequently music is programmatic to the band, resulting into an unforeseeable slow motion cacophony of whispers, bleeps, rhythms and harmonies. theres a notion of dada, but you never know. the 8th album of acf marks their current state of poetical accident, swaying, swinging and bouncing, boldly careful, like a transparent tattoo on your forehead.

blackwater label strikes back with a special limited edition for christmas.
we proudly present the first single side ep in house, proudly curated by relevant name eduardo de la calle and mtheorem, a very talented produced already seen on kapvt mvndi records from blackwater label. a two tool bomb tracks ep with touch and velvet approach, obviously related to the knowledge and experience of eduardo de la calle but probably the featuring of mtheorem gave a particular extravagance taste to the release.
“andes echoes” is a proper techno tool track with psychedelic and trippy atmospheres all around. pure music.
“kalpabriksha” is a more aggressive techno track with some modern influences and a super hypnotic lead.

12” single from the forthcoming debut album of scandinavian producer s.a.m. aka. samuel andré madsen on his own imprint delaphine. featuring two full sided tracks from the album. the a-side ‘out of touch’ appears here in a special 12” version unique for the single - strongly reshaped and uplifting! b-side ‘pour aisha’ is a long fat emotive afterhour weapon!

a great release from sam kdc, his musical breadth can range from pure ambient to wild and crazy synth mayhem. its all done with a touch of class and care, all you skdc diehards this is a no brainer. auxiliary again releases another ep of pure originality and this is what makes it stand out as a label in the modern age.